Premiere: Youth Model, “Open Season EP”

Premiere: Youth Model – Open Season EP


First and foremost, Charleston, SC based Youth Model is not ashamed of their pop inclinations. Their newest EP, Open Season is their honest take on the lighter side of alt rock without departing too far from pop sentiment. The six songs run the sonic spectrum with riffing on title track “Open Season,” quirky opener on “Versions”, and weighty meaning on “Tried this Time” and “Heaven.” As I’ve heard Randy say multiple times, “We aren’t trying to reinvent the wheel here,” it’s true they aren’t exploring unknown territory but they have pulled influence from a gambit of alternative pop creators. Continue reading

Interview: Keath Mead – Charming Authenticity and Being in the Right Place at the Right Time

Persons of Dialogue:
Keath Mead: Musical Prodigy
Lucas Amick: Wannabe Journalist

The timid yet genuine nature of Keath Mead’s “Sunday Dinner” transcends the audio files. In person his soft spoken authenticity can only be described as disarming. The morning following his Friday night Tir Na Nog performance, we shot the shit in the pool room of a Raleigh bar. It was an absolute pleasure discussing an array of topics with him as he leaned against a pool table sipping a beer.

LA: In all sense of the matter we are going to avoid any talk regarding waves of chill.

KM: Haha, alright – sounds good.

LA: We’re going to play a game of true/false. Spotify tells me that you were inspired to become a musician by the Beatles film Hard Day’s Night. Continue reading

Album Review: Big Grams, ‘Big Grams EP’

Big Grams Big Grams EP
(Epic Records – September 25, 2015)
(Hip Hop, Rap, Electronic)
Review by Brandon Foster

“I was never just a rapper; the music on the radio, those are just rappers. My last record was being called ‘indie,’ and I didn’t even know what the f— indie was. But then, I was doing all the festivals and was like, ‘Shit, if this is indie, then that’s where I want to be.’”- Big Boi

It has been almost 10 years since OutKast dropped an album. Other than a few appearances on tracks from Andre 3000, Big Boi is carrying the OutKast flag by himself. Releasing one of the best albums of the decade in Sir Lucious Left Foot: The Song of Chico Dusty and the super underrated follow up Vicious Lies and Dangerous Rumors, Daddy Fat Sax is nothing short of impressive as a solo artist. Continue reading

Album Review: Jay Rock, “90059”

Jay Rock 90059
(Top Dawg Entertainment – September 11, 2015)
(Hip Hop, Rap)
Review by Brandon Foster

Black Hippy member Jay Rock (group also includes Kendrick Lamar, Schoolboy Q, and Ab-Soul) has not come out with any solo material since 2011 when he dropped his super slept on and underrated project Follow Me Home. In 2011, Rock was the only Black Hippy member with an official record deal. He was signed to underground mogul and world class emcee Tech N9ne’s Strange Music label. While Rock has not released an album in 4 years, he stays busy by being Black Hippy’s official guest verse specialist and killer while we are at it. Continue reading

Album Review: Stolen Jars, “Kept”

Stolen Jars Kept
(Self – August 28, 2015)
(Indie Pop, Math)
Review by Kalyn Oyer


Stolen Jars coalesces a complex accumulation of sounds, step-by-step, driven by stacked layers of some of the best repetitive guitar riffs I’ve heard. These rhythmic stratums serve as the core of Stolen Jars’ sound, allowing the exaggerated ability to inhale and exhale with the emotional ebbs and flows of each track. The sound can both explode and retract by cutting in and out of looped tracks. A carefully constructed repetition is the elemental lyrical and sonic glue, while the duo of Cody Fitzgerald and Molly Grund on vocals blends into a soothing tension. Angelic harmonies float across angsty boundaries and sink into an ultimate, relieved bliss. Continue reading